But all these things pale next to the growing threat of He-Who-Must-Not-Be-Named, one that neither the magical government nor the authorities at Hogwarts can stop. Why else would he be waking in the middle of the night, screaming in terror? Harry has a lot on his mind for this, his fifth year at Hogwarts: a Defense Against the Dark Arts teacher with a personality like poisoned honey a big surprise on the Gryffindor Quidditch team and the looming terror of the Ordinary Wizarding Level exams. And it' s haunting Harry Potter' s dreams.
There is a door at the end of a silent corridor. This includes why-bother appearances by the cream of British acting: Maggie Smith, Helena Bonham Carter, Emma Thompson, David Thewlis, Richard Griffiths, Julie Walters, Robbie Coltrane (who, to be fair, was well used in previous films) and Ralph Fiennes (who, also to be fair, will as Voldemort make his major contribution in future films).Ĭertainly all design, visual effects, cinematography, costumes and editing are up to the series’ state-of-the-art standards.Harry is in his fifth year at Hogwarts School as the adventures continue.
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The series also continues its shocking waste of talent. But the magic - movie magic, that is - is mostly missing in this outing. There are several eye-catching moments here, some featuring otherworldy creatures, magic duels to the death, a clandestine though illicit wizardry school operated by Harry and rides through nighttime London skies. So the movie boils down to a series of moves and countermoves between a blind administration and a repressed student body. He prefers to view it as a rebellion by the school, its headmaster and that odious boy Harry. It seems there is a political war afoot in which the Minister of Magic, Cornelius Fudge (Robert Hardy), is in severe denial about Voldemort’s return. She is the amalgamation of all our worst high school teachers, a chronically strict and arrogant instructor who hands down decrees without the slightest concern for their impact. Harry suffers from nightmares, but even worse is the new Defense Against the Dark Arts teacher, the poisonous-in-pink Dolores Umbridge (Imelda Staunton).
Headmaster Dumbledore (Michael Gambon) rushes to his successful defense in court, but upon his return to school, he finds that most students, other than pals Hermione (Emma Watson) and Ron (Rupert Grint), steer clear of him. His use of a bit of magic to save, of all people, his truly despised cousin Dudley results in an almost instant letter of expulsion from Hogwarts School of Witchcraft and Wizardry for use of magic outside of school. “Phoenix” begins in a glum mood with Harry (Daniel Radcliffe, looking definitely older and more mature) moping about during summer holiday in the blighted land of the Muggles.
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Consequently, looking back, when the series is finally completed, “Phoenix” might go down as the problematic film, full of plot but little fun. Only it takes another 138 minutes for everyone, save Harry, to truly comprehend this fact. Even the release of Rowling’s climactic seventh book in three weeks’ time and its promise to resolve all the loose ends will deter no one from checking out this behind-the-curve movie version.įunnily enough, “Phoenix” ends up with everyone realizing what we, the audience, realized at the close of the last film, “Harry Potter and the Goblet of Fire” - that the film’s great but to this point almost ephemeral villain, Lord Voldemort, has returned. Which will not keep the multitudes from the multiplexes.
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